月色江南夜未静，灯火辉煌映古径瓢扰殴炙糙

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月色江南夜未静，灯火辉煌映古径
《西洲曲（忆梅下西洲）》原文翻译及赏析_作者南朝乐府忆梅下西洲折梅寄江北单衫杏子红双鬓鸦雏色西洲在何处两桨桥头渡日暮伯劳飞风吹乌臼树树下即门前门中露翠钿开门郎不至出门采红莲采莲南塘秋莲花过人头低头弄莲子莲子清如水置莲怀袖中莲心彻底红忆郎郎不至仰首望飞鸿鸿飞满西洲望郎上青楼楼高望不见尽日栏杆头栏杆十二曲垂手明如玉卷帘天自高海水摇空绿海水梦悠悠君愁我亦愁南风知我意吹梦到西洲《醉花阴·薄雾浓云愁永昼》原文翻译及赏析_作者李清照薄雾浓云愁永昼瑞脑消金兽佳节又重阳玉枕纱橱半夜凉初透橱通厨东篱把酒黄昏后有暗香盈袖莫道不销魂帘卷西风人比黄花瘦人比一作人似销一作消
《浣溪沙·闺情》原文翻译及赏析_作者李清照绣面芙蓉一笑开斜飞宝鸭衬香腮眼波才动被人猜一面风情深有韵半笺娇恨寄幽怀月移花影约重来《一剪梅·红藕香残玉簟秋》原文翻译及赏析_作者李清照红藕香残玉簟秋轻解罗裳独上兰舟云中谁寄锦书来雁字回时月满西楼花自飘零水自流一种相思两处闲愁此情无计可消除才下眉头却上心头
《论诗三十首·十三》原文翻译及赏析_作者元好问万古文章有坦途纵横谁似玉川卢真书不入今人眼儿辈从教鬼画符这首诗是批评卢仝的追求险怪的诗风中唐时追求险怪诗风的主要是韩孟诗派韩愈的诗风的主要特点是深险怪僻好追求奇特的形象他善于捕捉和表现变态百出的景物展开丰富奇特的想象怪幻诡谲的构思创造匪夷所思的形象以文为诗用奇字造拗句押险韵避熟就生因难见巧韩孟诗派开一代诗风在创造出雄奇险怪的意象在反对传统锐意创新方面做出了突出的贡献但也难免流入另一种险怪艰奥拼凑堆砌玩弄技巧的形式主义卢仝受到韩愈的影响诗作过于好奇逞怪元好问否定了这种诗歌风格认为这种创作是鬼画符

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